I was thrilled to see this image for September in my calendar from Nikki McClure. I love everything about it: LIBERATE, all the books… Perfectly aligned for me with the time now. September marks my official return to the library world. I’m so happy to be back in the library where I belong. Most of the work I do in the world is related to helping people find the resources they need. It’s beautiful to see it illustrated in this way, LIBERATE. Finding freedom, finding a way out of no way, finding inspiration, finding tools and information, finding what’s needed, finding resource.

September from Nikki McClure's 2021 calendar. Image description: black and white image of books stacked floor to ceiling against yellow backdrop with a person in the distant center gazing at them, standing on yellow ground.
September from Nikki McClure‘s 2021 calendar
Image description: black and white image of books stacked floor to ceiling
against yellow backdrop with a person in the distant center gazing at them, standing on yellow ground.

I was talking with friends yesterday about the differences between doing our soul work/heartwork/living our dharma: being on the path, being in alignment– it’s called many different things– and doing what we have to do to survive. The differences between what that heartwork is and what we do to survive as physical beings living within a system of Capitalism.

My life’s work, my heart’s work isn’t always what I do to help pay the bills, to put food on the table. I think for a long time I thought that it had to be. Like if I was truly living my truth, committed to my spiritual path I would only do work that matched that ideal. Like if I was doing anything other than teaching yoga and meditation and writing poems it was defeat/failure/sell out. Why did I think that? Where did that idea come from?

Meaningful work

Right livelihood doesn’t mean having to extract enough payment for my own survival from the things that I love. That takes the joy out, infects love with some desperation and anxiety for me. It seemed cool to make a living doing the things I love and value, why wouldn’t I want that? More power to folks who make enough money doing the things they love to survive and thrive. It doesn’t always happen though. I think it may actually be quite rare.

What happened for me with poetry years ago (why I never wanted to teach, why I dropped out of the scene a bit) has recently happened again with dharma and mindfulness practices. They are vital to me, essential for my own thriving and liberation AND I cannot have them coupled with my physical survival. I can’t have my ability to eat and pay bills and care for my family dependent on whether people want to read my poems, buy my books or sign up for my classes.

It’s possible that I suck at marketing or I haven’t tried hard enough– that may be true. Also, I prefer not to. I don’t want to have to hustle in the marketplace to share tools for liberation. What I am doing right now is feeling immense gratitude that another path opened up for me. I get to fall back on another of my loves: libraries. I’m grateful to have options. I know not everyone does. I appreciate how lucky I am to have many loves.


Anybody who knows me knows how I love me some libraries. They have been essential to my own survival and liberation in a way that’s not so different from dharma. In fact, there’s a lot of crossover the way I see it. I was comparing insight dialogue with informational interviews and they’re not all that different: pause, relax, open, attune to emergence, listen deeply, speak the truth… Helping people identify the questions beneath the question, what they’re really asking, what the need is. (Not so different from Nonviolent Communication either, come to think of it.) The adventure of setting out on a path of discovery, of finding out for yourself what’s needed, what’s true. (Ehipassiko, see for yourself.)

Worldly concerns

It’s been ten years since I was last a librarian: librarian as role, task, job, identity. I was one of the librarians at Occupy Wall Street and it felt important and transformative. As much as I tried to stay off the radar, I did get some attention for it and just like the Buddha taught, I was tossed by the worldly winds: where some people praised me, invited me to speak at their conferences and gave me awards, others blamed me, attacked me, sent me hate mail and stalked me. While some people loved the People’s Library and were inspired by it, some took offense. Whether it was objectively true or not I felt low-key blacklisted in the library world because of my participation. I didn’t/couldn’t get another library job until just now: ten years later.

The air outside is getting a little bit cooler, it’s chilly at night. NYC public school starts tomorrow. September finds me digging out my cardigans, adjusting my glasses and totally giddy about the opportunity to be back in the library again helping people find what they need. Whether folks are looking for liberation, looking to transform oppressive systems or just looking for the bathrooms, I’m happy to help and grateful for the opportunity.

rosemary stretch: a woman’s work is never done

Mercury retrograde’s got me itching to get rid of all these papers everywhere. A woman’s work is never done. I’ve been writing for a long time with drafts piling up over more than 30 years now. It’s too much. I mostly write by hand. By that I mean that I still do– I write every day by hand. People who know me well have seen the years of Mead journals that fill files, bookcases and chests. Not to mention all the journals in storage, the boxes full of them in my mother’s garage.

Every few years I have a bonfire. Or a shredding party. I just can’t keep all this stuff around, I need to let it go. Maybe I haven’t done a good enough job at midwifing; at getting the words out into the world: a woman’s work is never done.

There are poems here and there, a couple of books, but nothing compared to all these journals, papers and drafts. It seems a shame to just disappear them, but the point of the writing may have been the process itself. Not whether I got a book contract (I didn’t). Not anything measured in statistics, page visits, likes or any other measurable criteria. There was love in the doing, in the writing itself. (inner critic laughs, just keep telling yourself that, hon.)


In my heart I have so much love for ephemera, for noting the moment, bearing witness, archiving, preserving. All part of why I became a librarian. Creating all those chapbooks helped make me a poet. Output could have been zines or stories, recipes, paintings, mixtapes, dance moves, love songs, anything, but I made poetry chapbooks. Most of them hand-sewn, with hand-stamped or painted covers. I loved doing it and sharing it with folks who seemed to share my interests. It’s love. That’s one of the ways love expresses itself through me, the vehicle I am.

Lately I’ve focused in other directions, but I’m grateful to have been able to share. Now that I’ve added one pdf I’m going to try to add more. For me the point was always in the making and the writing. There’s a physical beauty to handmade things that doesn’t translate into digital realms. That magic is mostly lost now, like browsing books or listening to music in record stores.

There is access though and that’s beautiful too. Information spreads far, wide and quickly– instantaneously. Most of my chapbooks had very limited runs. Only however many I could sew or staple– 50 or 100 total (a woman’s work is never done). That made them seem very precious, wonderful gifts, but very few people ever saw them. Putting them online, at least they exist again: new digital life. If anyone ever gets curious, they can maybe find them.

Like Rosemary Stretch.

Whenever I put together a chapbook, it was usually full of poems that already felt old to me, distant. Rosemary Stretch (pdf) was published in 2006 with the first Dusie Press kollektive project organized by Susana Gardner. (It was like a spinoff of the subpoetics self-publish or perish project– is there anything about that online? It was so long ago I can’t even remember what I wrote for that; though I know I participated because I just saw some sheets of old mailing labels to people on that list. Ah, listservs… so Y2K. Looking around the internets I don’t see much mention of it. Maybe that’s a subject for a future post.) I was living in the UK at the time; a new mother, all my energy was going to the baby. My thoughts, when I had them, circled around ideas of women’s work (it’s never done), women’s writing generally, and whether motherhood would change my own writing.

women’s work

The idea of the “Rose Mary Stretch” struck me as hilarious then the same as it does now. I stay amazed that people mostly don’t know wtf I’m talking about when I say that. Even though I put an image on the cover. It’s an abstracted black and white rendering of Rose Mary Woods, Nixon’s secretary, demonstrating how it was that she ‘accidentally’ erased 5 of the missing 18.5 minutes of the Watergate tapes. In the image, she’s re-enacting the scene, later known as the “Rose Mary Stretch.” Rose Mary Woods died in 2005 and I must have heard a story about it to set me off thinking about what it means to be a good secretary.

Rose Mary Woods' stretch that 'accidentally' erased 5 minutes of the Watergate Tapes.
Rose Mary Woods’ stretch that ‘accidentally’ erased 5 minutes of the Watergate Tapes.

From the Washington Post, “Reporters were called to the White House to watch her perform a re-enactment, and the photos of her performing a tremendous stretch, which she supposedly held for five minutes, were rejected as implausible. Moreover, the particular tape recording machine does not operate the way she had claimed; simply pressing the foot pedal to “record” would not initiate a recording unless the play button was being manually depressed at the very same time.”

Halfway through 2021, we’re still in a global pandemic. Climate crisis, wars raging around the world, mass graves appearing, severed heads in the garbage. There are bodies still in freezer trucks down the street. Centuries of greed, hatred and delusion are being revealed for what they are; bearing fruit in deeply painful ways for us all. Poems inspired by the idea of a good secretary erasing incriminating evidence for her boss seem almost sweet right now. Simpler times. Even in simpler times, a woman’s work was never done.